Friday, February 25, 2011

Is Rock Dead?

 This past week, while listening to Howard Stern during my commute into work, Howard and Robin had a brief discussion about how it would seem that rock n’ roll is truly dead. This stemmed from Howard’s observation that there are very few – if any – radio stations classified as “terrestrial radio” actually playing rock n’ roll. His observation was also supported by what he saw being presented on this year’s Grammy Awards broadcast. It would appear that Justin Bieber, Lady Gaga, Cee-lo Green, a variety of hip hop artists and R&B artists now dominate the airwaves and garner most of the coverage and dollars when it comes to the business of music. I have to admit that I have observed this trend as well. Back in the 70s and 80s, and even into the 90s, there were more rock bands. There was no MySpace, no Facebook, and no ability to record your own music from the relative comfort of your own home. If a singer or band wanted to get noticed, they toiled long and hard, writing and performing, playing anywhere and everywhere anyone would allow them to play, sometimes even doing without being paid to do so, all to get out there and build a fan base. This was more often referred to as “paying your dues”. Even acts such as Madonna – whom I would never put in the same category as rock – worked quite hard to get to where she wanted to be. In this age of technology, however, the focus has changed.

A good point that a couple of friends of mine made with regards to the Grammys, however, is that the Grammys are really only for “popular” (or “pop”) music. When reviewing what is considered “popular” music, do those of us who just want to rock really want to fall into that category?

Rock n’ roll – by definition – is dangerous. It is a contact sport, sometimes violent, always fun, and inherently sexual in its overall presentation. This doesn’t mean that rock cannot have a conscience or be socially aware, but when it is it is sort of, well…boring (listen to anything Pearl Jam recorded after Ten). Now, going back to my Madonna reference: Madonna came about as close as anyone categorized as “pop” could get to rock. Everything Madonna did (up to the end of the 90s, perhaps, although I know some who would argue she is still) was dangerous. And sexual. I personally would have loved to see her pull a Courtney Love and just do a pure rock n’ roll album, rocking out with a stripped down band, guitars, bass, and drums, maybe reworking some of her bigger hits into more glam/hard rock screamers. C’mon, you KNOW that would be awesome. A great musical hybrid in the business? Prince. Yeah, go ahead and laugh. But Prince can rock the shit out. And pretty much falls into every aspect that defines rock n’ roll. So, kiss my ass if you don’t like him. I remember getting laid to “Little Red Corvette” when it first came out and it will always hold a special place in my heart. And other places...

Even someone like Eminem comes closer to rock than some of those that have been inducted into the so-called Rock and Roll Hall of Fame (Michael Jackson? Neil Diamond? ABBA? Grandmaster Flash and the Furious Five? Really? Seriously?). Get this straight, fuckers: Rock n’ roll is music, but not all music is rock n’ roll.

Rock is not dead. It does not appeal to the masses because the masses are – for the most part – followers and generally stupid, needing to be spoon-fed their art and told what is good. Rock perseveres because it simply doesn’t give a fuck. This is another reason why it is called “the Devil’s music”. Rock n’ roll rebels against anything and everything that tells it what to do and how it should be in “polite” society. It feeds off of the energy of the audience and flips a middle finger to society as a whole. And while many may disagree with me, it is part of our nature as humans to rebel, to fight, to enjoy chaos on some level. Life is only truly worth living the closer ones gets to the danger. Some dance closer than others, but we all do it to one degree or another.

So, fuck society. Fuck the Grammys. Fuck “popular” music. Let the weak and uninteresting suck down their bottles filled with mediocre dance, electronica, R&B, and such that changes with each year based on which Mickey Mouse Club star the studios wish to cash in on. Rock has always been here and always will be. Suck on that, bitches.

Wednesday, February 23, 2011

Flexx Bronco - Volume 2

Flexx Bronco - Volume 2
Flexx Bronco
Volume 2
2010
Label: D.S.R. (Independent)








Guy Thunderbird


I have to begin this blog by admitting I am somewhat ashamed it has taken me this long (CD was released Summer of '10) to get to writing this review. It is especially shaming as I know these guys and have been to see them live and review their previous releases. Sorry, guys.

Ok. Mea culpas complete. On with the review...

Filthy
To say that Bay Area outlaw rocker darlings Flexx Bronco kick serious ass would be to do a disservice to both them and that particular phrase. In a world seemingly dominated by musical acts that lack even the barest thread of integrity - let alone true rock n' roll sensibility - Flexx Bronco slithers their way under the radar to provide their fans with a sonic blast of gritty blues rock aural-gasmic delight. The boys' latest offering, Volume 2, showcases all of this and more.

When last we saw Flexx Bronco, they had decided to pay some tribute to their fan base by throwing out a bit of a treat: Volume 2 - Sampler (my review of which can be found here). This limited edition EP included several songs that would later make it onto Volume 2 and served to prove that XB had kept busy writing, recording, and playing anywhere and everywhere they could, raising good ol' boy style Hell wherever they found themselves. They even shot a couple of actual music videos and posted selected performances to their official YouTube page. Volume 2 exhibits XB at their best.


Flexx Bronco "Lauren Blues in A" Vol. 2 from Sean Murphy on Vimeo.

Eroc
"A Lesson in Love", "Go Fast", and the groovingly bluesy "Lauren Blues in A" were all featured on the Volume 2 - Sampler EP, but seem somehow fuller and more realized on Volume 2 when joined by such instant XB classics as "Pop (The Top)" and "Black Limo". "Johnny's Saloon" offers lyrics that naturally flow off of bassist Guy Thunderbird's (Yeah. That's his name. You got a problem with that?) tongue, a perfect whiskey drinking ballad. "American Heartbreak" and "The Song That Kills" venture into more standardized hard rock territory, but still showcase XB's talent as a unit in keeping the beat and choruses tight, driving the guitars and rhythm section down the listener's throat and out their asses without passing Go. Or collecting $200.

Thor Bigsby
Volume 2 is a true step forward in the evolution of Flexx Bronco while still keeping it real, down and dirty. Pick this one up and crack up the sound system. Just don't be surprised if your speakers start to flame up. If you dig sexy, Texas-style outlaw blues rock, you won't be disappointed. Make sure you check the links included below to get details on their Winter/Spring 2011 Tour, which also has them playing the annual South by Southwest (SXSW) Music Festival in Austin, Texas (March 11 - 20, 2011).


Flexx Bronco is: 
Guy Thunderbird (Vocals and Bass Guitar)
Filthy (Guitar)
Eroc (Guitar)
Thor Bigsby (Drums and Shiny Underpants)

Welcome to TDM aka The Devil's Music Magazine!

Welcome!

The Devil’s Music Magazine is not so much a magazine as it is my little spot out here to express my thoughts and opinions on music. I tend to focus on what I regard to be rock n’ roll, i.e., blues-based guitar-oriented rock, hard rock, glam, and metal. Being something of an older fuck, you may find that I may compare some newer local or national to older rockers such as Guns N’ Roses, Aerosmith, Van Halen, etc. In addition, I may veer into other genre territory, such as punk, rockabilly, industrial, and the like. This does not mean, however, that I am not open to new blood. On the contrary, I LOVE discovering new bands, especially digging local bands rocking the Northern California/SF Bay/South Bay/Central Valley area.

I may even revisit some classic releases from great bands, as something of a refresher, because sometimes it is cool to go back and check out the those who laid the groundwork for everyone else…

This blog will include pictures, both those I take as well as those from the band’s site(s), reviews of CD releases as well as of live shows I am lucky to be able to get to check out. I plan to write and post as often as possible, at least once per week, with opinion/editorial-style pieces if nothing else, so please check back often.

I also plan on leaving the comments functionality open in order to hear suggestions from everyone out there about bands you feel I should check out. So don’t be shy, but also keep in mind that ripping comments serve no useful or helpful purpose and will be deleted at my discretion. Basically, it’s my fucking page and if I don’t like what you have to say then your comment(s) are getting toasted. But in a loving way.

So sit back, strap in, subscribe, share, and please let me know what you think. I look forward to hearing your comments, suggestions, and recommendations!


Vaya con Diablos ~

Sean Patrick Thompson aka DevilBoy